Tuesday, February 3, 2009


Today in my rigging class, we climbed a very narrow metal spiral staircase with a low, open railing up to the grid at the top of the theater's fly space over the stage to look at the rigging system up close. I knew this would be part of the class, and though I dreaded it I looked forward to it because it has become one of my pet projects in my middle age to challenge my fear of heights. I don't think I will conquer it in the sense of making it go away, but I try whenever I can to ignore the signals and push ahead. I try to experience it as a thrill, as ecstasy instead of terror and panic. Physically they're very similar, so it kind of works. To a point.

Well, this today was hard core.The way up was bad enough, just staring straight ahead at the steps in front of me. The teacher had told us that if we really didn't want to go up, we didn't have to and halfway up when I started to get really scared, I considered stopping and going back down. I guess my vanity helped me out, because I kept thinking, "If I stop, everyone behind me on the stairs is going to have to go back down and then up again and I'm going to look like a fool in front of the whole class," and that kept me forging ahead. But the way down was absolutely terrifying because the only choices you had were to either look down (unthinkable) or look straight out into the wide open space, which made my legs feel wobbly and my eyes tear up. I took it slow, and I made it.

I thought actually being up there would be the worst part of it -- and it was pretty intense standing on a grid of steel pipes with 4 or 5 inch spaces between them looking straight down 65 feet to the stage floor -- but the walk up and down were far worse. It's one thing to stand still and involuntarily contemplate, over and over feeling it in your bones every time, falling, but there's something altogether more difficult about forcing yourself to put one foot in front of the other when every nerve and muscle in your body is telling you that to move means death.

Sunday, February 1, 2009

Me, Today.

I'm feeling a little overwhelmed. The beginning of the semester always brings this feeling. I look at the syllabuses (I refuse to say "syllabi" -- for some reason it's annoying to me how people in academia insist on using Latin plurals) all together and start thinking, oh my god, there's no way I can do all of this stuff -- read 2 dozen books, write several papers, take all those tests, learn all that stuff! -- for some reason forgetting that I don't have to do it all right this second.

And then there's math. I don't even have a math class this semester (I'm putting off my one and only math class until the last possible moment, this summer), but my stage rigging class involves some math, and my anthropology class involves a lot of math. Who knew? Not me, for sure. The anthropology class is hard core -- it's called Human Evolution, extremely interesting stuff, but seriously hard. Chemistry (fossil dating), statistics (classifying fossil bones), and taxonomy up the wazoo.

And there's some great stuff happening with Lizzie Borden in New York. They're doing a showcase production in February to try out the new book and songs, slightly more staged than the reading we did last spring, but still short of the full production which is planned for next fall. I couldn't be there for the auditions, but they had a big open call and from what I heard they saw lots of great people and have a strong cast. I'll miss most of the rehearsals, but I'm flying there for the show in 3 weeks. Maybe another reason I'm feeling stressed out is that it's all happening without me.

I dropped out of school 3 times because working as an artist was more compelling to me than school (well, to be honest, the third time I dropped out it was because of a man), so I'm determined to finish this degree this time. Besides, I couldn't just move to New York for this show. I don't have a paid role in the production, so it wouldn't have any way to make a living there. But god I hate missing this!