All Roads, Etc.

We’ve known for weeks, but they made an official announcement today, so now I can tell everyone: Lizzie Borden was selected for the NAMT Festival of New Musicals, a prestigious industry showcase. It’s kind of a big deal. Only 8 shows are chosen each year. In the festival, NAMT presents staged readings of the shows to a crowd of theater industry people -- specifically, people from all over the country who are looking for new musicals to present, for example, producers and directors of big regional theaters. Lots of shows, as a result of being seen in this festival, go on to high profile productions.

I found out about this right in the middle of breaking up with M. It was a big secret until the press announcement, but they told us we were allowed to tell “significant others,” so, because M still sort of was that, I told him. The excitement of finding out was dimmed, to say the least, but this morning I feel giddy and short of breath and very optimistic.

This is one of the reasons I decided to move to New York. I have to be there for a week or two in October for the festival, so I figured I should think in terms of being moved there by then.

I couldn’t sleep last night. I went to bed at 2 but didn’t fall asleep until after 5 and then slept fitfully. I had gone to a friend’s house, a bar buddy from Chain Drive, not a good friend but a sweet man who I’ve had a chatting acquaintance with the whole time I’ve been in Austin. He lives with his partner somewhere in the northern suburbs. It was good to get out of my room/prison cell and hang out with people who are very different from the people I usually see.

The pot was veeeery strong. I got home by midnight but my brain was dancing all night long. I have a stack of scrap paper here on my desk, notes I got out of bed to write down. Some of them have great stuff on them, in particular some ideas for a film I’ve been writing for years called Wall of Angels. It’s a kind of surreal Ingmar Bergman/John Waters-style film about a woman who survives a house fire and goes on a road trip.

Grindr.

I downloaded Grindr again. In the days after M and I broke up, the idea of Grindr was depressing beyond words and it still makes me roll my eyes at how boring it gets to be a man and horny all the time, but there you go. How many millions of years of evolution have led to this moment when I'm advertising on a cell phone because I just need someone to touch my penis?

But, I remind myself that I met M at a trashy gay leather bar. Technically, I met him through a mutual friend, but the introduction took place in a trashy gay leather bar. There are opportunities everywhere.

This is the picture I posted on my profile. I hope I don’t look too much like a leering pedophile.

Summer.

I’ve set the end of this week as a deadline for making some kind of rough plan or timeline for the rest of the summer and my move to New York. I asked J to sit down with me and help me, or probably just listen to me, list and organize all the possible things I could do and all the considerations and contingencies.

How much would gas cost for a drive to Utah and back? I want to go to Utah to see my friends and clear my head. Maybe a week there? It’s at least a 2 day drive, maybe 3. And do I want to spend time in Indiana, with my friend M, or with my parents? Or both? Do I want to go for a long visit with my brother and his partner in Columbus? Will it make my move to New York easier, or more difficult, if I go somewhere else in between?

*

I think I wrote this before, but I’ve been thinking a lot about how this breakup has thrown it in my face how much I really do want to be in a long-term relationship. I think, to, y’know, oversimplify, M was, is, my fantasy perfect boyfriend, he was the boyfriend I’ve mused about since I was in high school: a scholar, an artist, solicitous, handsome, well-traveled, worldly, has sophisticated taste and an ironic sense of humor. He sounds like something out of a Jacqueline Susann novel. Ha! But he is all those things.

When I was younger, that man in my fantasy was older than me, more confident, had his life together. The fact that M is younger complicates my relationship to the fantasy in an interesting way that probably wasn't good in the end. I'll have to ponder that one.

There’s nothing too special about wanting to be with someone. Most people do. I think I thought I was unique. Or I was too strident to admit that there’s a difference between a mindless longing for Prince Charming and a simple human desire for companionship. It's embarrassing to find out how much of my disdain for romance was just a way of protecting myself from getting hurt. Lot of good that did me.

Liberty Bar.

M and I met for beers last night at Liberty Bar and food from East Side King. We talked for a couple hours, and then his roommate and best friend both joined us for a couple more.

It was strangely not difficult. The last 3 weeks have been harrowing for me here in my room, but heartbreak almost takes on a life of its own. Last night I was just having beers with this man whose wishes didn’t happen to coincide with mine but who is obviously very fond of me.

I’m sitting here trying to resist analyzing the evening. I want to let it sit there and be what it was, which was very nice.

School.

I think I’m going to apply to NYU’s graduate film program. I think I’m gonna do it. The application deadline is December 1, to start in the fall of 2011. I just need to forget about the age thing. What does it matter if I’m in graduate school in my 50s? Really, what does it matter? I was reading on the admissions web site of the MFA program a statement by the chairman of the department describing the program and what kind of candidates they look for, what kind of people succeed in the program, and I felt like he was describing me.

So why the fuck not? Why not apply? It’s extremely competitive, but what isn’t? If anyone can think of a reason why I shouldn’t, please tell me.

Saturday Morning Meta.

I wonder if this is something that only artists do, or if it’s common or universal, to move through life while simultaneously watching and mentally composing and memorizing the story for later use. Now that I think about it, I suspect it might be very common now, in this age of Twitter and Facebook status updates; but, then again, maybe these new social networks don’t create, but just provide a convenient forum for, a natural human tendency to crystallize and flourish.

I have to say it has felt a little edgy, writing about my breakup here, immediately making public all the really intense, awful stuff. Live-blogging my heartbreak.

I feel compelled. It’s like when J and R and I were on the road and things started spinning out of control, there was a part of J and me that was like, “Grab the camera and point it this way, some shit’s about to go down.” I just feel compelled.

Besides whatever value it might have for others to read, the writing is where I organize my thoughts. I write down whatever I’m feeling or thinking about, but then I spend a substantial amount of time rewriting and editing, moving stuff around, finding a better word, with the goal of being as simple and clear and truthful as I can be. I’m not just organizing the writing: organizing the sentences and paragraphs is a way of organizing my thoughts.

And it suspends the pain and pressure for a while, too, it really does. I think it’s because when I write I am at a critical distance, a philosophical distance. And the fact that I can sit down and do this reassures me that, when everything is fucked up and I can’t manage my life, at least this one important part of me is functioning.

A couple friends have sent me appreciative emails about this little chronicle; so I feel like it’s okay.

The only thing I’ve been slightly reticent about is some of the specific content of communication I’ve had with M. In the last few days, we’ve emailed a couple times about my bicycle, which I left at his house. I took the opportunity to ask him questions about what happened, and he has shared some of his thoughts, and it’s been calm and clear and nice. We have plans to meet this weekend and talk more. I’ve been reticent to share much of that conversation because for some reason I don’t want to make him feel like it’s his life being scrutinized along with mine. (But actually I just remembered having a conversation with him a couple months ago about the ethics of an artist working in an autobiographical idiom using the details of others’ lives in his work, and M expressed a much more permissive attitude than I did, so I’m probably safe.)

I don’t know if he even reads this. I think he used to from time to time, but I’ve never imagined him as being in the audience. Hm.

Future.

T and I have been emailing and talking on the phone the last couple weeks about Lizzie Borden (the new exciting thing about which coincided with my breakup freakout so it got a little overshadowed but about which I still can’t tell anyone dammit! -- but soon), and also about me moving back to New York, and about the two of us forming a company to do new work together. New theater work, film/video, hybrid performance. I’m excited about the possibility of performing again, and about writing songs again. I haven’t done either in years.

My creative energy kicks in when I have someone to work with, someone else’s ideas to bounce around, someone’s confidence in me, and someone’s expectations of me. I know this fact says all kinds of interesting things about my personality, about non-art aspects of my life, my history with men, my relationship with M being particularly in the news lately, but is it a bad thing that I need to overcome? Can it just be a way of working, and not a disorder? Independence is overrated.